My first reaction to VEXSAN was simple: this already feels more like an artist project than a folder of AI-generated songs.

Steeve Sanchez introduced me to VEXSAN through “J’AI LA RAGE,” a French rap track built from his own writing and developed with AI-assisted production. What caught my attention was not that AI was involved. It was that the writing, attitude, sound and visual presentation appeared to be pointing in the same direction.

Start here: “J’AI LA RAGE”

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The project is new. The writing is not.

According to Steeve, VEXSAN itself began in July 2026, but his relationship with writing and rap goes back much further. He says he used to freestyle on a major French radio station when he was younger and continued writing afterward, even when music was no longer the main focus of his daily life.

AI changed the practical barrier for him. He does not present himself as the vocalist who needs to perform every song personally. Instead, he sees the technology as a way to bring writing, emotion and musical direction into a finished form that he can continue shaping.

That distinction matters. There is a big difference between asking an AI system to invent the whole creative identity and using AI as part of a process that begins with a creator’s own ideas, writing and decisions.

His process starts with writing

Steeve describes his workflow as beginning with the text. He structures his writing into lyrics for a song, develops prompts until he finds a musical base that fits his direction, and then continues working in a studio-style environment.

From there, he may revise lyrics, arrangement, structure, mix decisions, backing vocals, echoes and transitions. He says there are often several versions before he considers a track finished.

That is one of the more useful parts of this First Look for other creators: the first AI generation is not being treated as the finished work. It becomes material to direct, revise and refine.

Translation is part of the creative work

VEXSAN is also broader than French-language rap. Steeve says he works across French and US rap, pop, country, electronic music, blues and rock.

For some English-language songs, the text begins in French. He then translates it and reworks the wording phonetically so the rhymes and musicality function in English while trying to preserve the original meaning and emotional intent. He says he sometimes uses a similar process for Spanish versions.

That is worth paying attention to because translation in songwriting is not just a language problem. A literal translation can preserve meaning while destroying rhythm, rhyme, stress and phrasing. Treating translation as another songwriting pass is the stronger approach.

The strongest part of the positioning is already clear

When I asked what he wanted people to understand about VEXSAN beyond the use of AI, Steeve gave the clearest line in the whole exchange:

“AI is a tool, not the story.”

For VEXSAN, he says the story comes from the lyrics, emotions, experiences and artistic direction behind the tracks.

That is the right hierarchy for this project. If the audience remembers only “this was made with AI,” the artist identity is too weak. If they remember the song, perspective or emotional idea first and understand AI as part of the production process, the creative identity has a better chance to stand on its own.

The range is a strength — and a risk

Steeve does not want VEXSAN trapped inside one genre. That freedom makes sense creatively, especially with AI tools making it easier to explore multiple musical directions.

But this is also where the project will need discipline. Moving from rap to pop to country to rock can either become part of a recognizable creator identity or make the project feel scattered.

The question I would keep asking is:

The answer might be the writing perspective, emotional directness, visual language, recurring themes, vocal direction, storytelling approach or some combination of those things. That is what I would develop next.

There is also a bigger human goal behind the project

Steeve says he eventually wants to connect with younger performers who have a strong voice but may not have songs or lyrics of their own. He would like to offer some of his writing to performers and hear them bring those songs to life in their own way.

That moves VEXSAN beyond “one person making AI songs.” It opens a possible path toward songwriting, collaboration and artist development — but it is still an early ambition, not something I would present as an established part of the project yet.

My First Look verdict

VEXSAN is early, but there is something worth continuing here.

The strongest elements right now are the human-written foundation, the willingness to revise beyond the first generation, the multilingual songwriting process, and the fact that Steeve already has a point of view about what AI should and should not represent in the project.

The next challenge is consistency. Not consistency of genre — consistency of identity.

I would want to see VEXSAN keep building enough material that listeners can recognize the project even when the musical style changes. That means continuing to define the writing voice, visual world, recurring emotional territory and release presentation around the songs.

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About this First Look: This article is based on material and background submitted directly by Steeve Sanchez / VEXSAN and the public links he provided. Statements about his history, workflow and future plans are presented as creator-reported information unless independently verifiable. A Creator Spotlight First Look is an editorial first impression, not a paid endorsement or guarantee of future coverage.

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